With those drawing out the outlines was a piece of cake:
I started on the sound hole. With a fretsaw I gently made the cut:
The downside of cutting a hole in the top is that you are actually weaken it. To counter that you have to add small strips of wood around the hole. The best way is to cut these strips in a way that the grain is right-angled in respect to the grain of the top. Since my sound hole is not really a traditional one I also have to cut non traditional strips:
When satisfied I glued them to the top and put a weight on top of them to clamp them down while drying:
Second up was the headstock. It is a very narrow headstock which introduces danger of snapping it of when the strings are under tension. I already put the headstock at a 13 degree angle earlier on but we also have to cope with forces working outwards. To withstand those we will put in a graphite pen. So another channel had to be routed in. As a guide I first cut the headstock parallel to the channel outline. After that the channel was routed as deep as the pen needed.
Last job was putting the heel for the neck together. I made it out off a stack of maple, then rosewood, maple veneer, rosewood and maple:
Glue between every piece, clamps on and then waiting again for it to dry.
When completely dry I used a disc-sander to get all the sides nice and straight:
To close this episode the end result pictures:







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